My prior interactions with the goods have been generally positive. The Marshall Stanmore III, the item I’m evaluating today . builds on that history in a large, audacious, and comparatively pricey way.
The Marshall Stanmore III, which costs Rs. 41,999, immediately stands out as an extraordinarily attractive Bluetooth speaker. Don’t expect to be able to take this with you because it is large . somewhat heavy, and requires a power source to operate. This, however, also makes it a potential alternative for at-home entertainment. one that is appealing enough to merit a position of honour in your living room. Is the Marshall Stanmore III a good value for the money? Learn more from this review.
pic credit :Marshall
design and specifications
The Marshall speaker line’s unmistakable similarity to the company’s vintage guitar amplifiers is what makes it stand out from the competition. This is evident in the Stanmore III’s boxy design, large Marshall logo, lovely leatherette top and side finishes, and sturdy but flexible straw-like speaker grille up front. It is the middle speaker in Marshall’s current third-generation series of house speakers, and while it is pretty large, it is not as enormous as the Woburn III, which costs Rs. 59,999.
Since this speaker doesn’t include a battery for entirely wireless operation, you will also need to plug it into a power outlet in order for it to operate. Small rubber legs on the four corners of the speaker’s bottom elevate it off the ground when in use, which lessens vibrations.
The Marshall Stanmore III has RCA connectors in the rear, a 3.5mm auxiliary plug up top, and Bluetooth connectivity options. The bass port for the woofer, the plug for the provided power cord, and an enormous quantity of ugly-looking regulation language are all located at the back of the speaker. If you purchase the Stanmore III, you should try to conceal the rear from view by placing the speaker properly.
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app and features
It’s wonderful to know that there are companion apps for wireless speakers because they aren’t frequently available, especially for ones with only Bluetooth connectivity. After the speaker is initially set up, you won’t need to access the app very frequently because it is a really basic software with few features and customization options.
Placement compensation is the main function of the app and may be the most persuasive argument for having it on your smartphone in the first place. If the Marshall Stanmore III is positioned next to a wall or edge, you can choose that, and the sound will be adjusted to account for that. It is worthwhile to go through the process because it did appear to somewhat improve the sound when adjusted appropriately.
Marshall Stanmore III performance
It is definitely costly at Rs. 41,999, especially in light of the fact that it lacks Wi-Fi connectivity and smart capabilities and is primarily designed to be used as a Bluetooth speaker. However, the speaker’s sheer size and power mean that audio performance meets my comparatively high expectations, so it’s not just about the appealing aesthetic.
The Marshall Stanmore III sounds quite nice despite only supporting the SBC codec, provided you’ve adjusted the equaliser a little. I discovered that increasing the treble by about four points made a significant difference in creating a much more well-balanced and pleasurable sound.
The vocals on Clean Bandit’s song Tick Tock were crisp and clear. the high frequencies impacted hard without sounding shrill or unpleasant. Together, the rhythmic singing and the violin riffs worked wonderfully; the violin riffs almost seemed to be in my living room.
With the Mausam & Escape from the Slumdog Millionaire soundtrack by A.R. Rahman, which likewise demonstrated the soundstage’s width and the capacity to provide a wide, detailed audio image, the refinement in the sound was even more noticeable. A wider soundstage and a more engaging sound than I’ve experienced from most speakers, short of full-sized soundbars, were provided by Marshall’s Stanmore III during the song’s “drop,” which featured the renowned sitar riff.
